![]() ![]() You’ll learn how to make Premiere treat Stereo clips as Dual Mono (like FCP and Avid does), and understand the difference between Mono, Standard, 5.1, Adaptive and Multichannel clips and tracks. In this chapter you’ll learn everything about how to decide what channels from a source to import and what channels to put on the timeline. See the web page for the updated book here. The updated version of The Cool Stuff in Premiere Pro will be available this September, and the single chapters from the 2015 version are no longer available. Update July 2017: This chapter is no longer available You’ll get a full overview of the complete audio chain in Premiere Pro CC. Once you understand the logic behind the audio handling in Premiere, you’ll see that it’s very powerful and deep. Premiere Pro CC handles audio in very different ways from all of these. Books on Premiere Pro and After EffectsĪudio Editing is what most people struggle a lot with in Premiere Pro, especially if coming from other NLEs like FCP, Vegas or Avid.Workshop: Build a Motion Graphics package for your company.Let me create Motion Graphics Templates for your company.Motion Graphic Templates for Premiere Pro.Workshop: Build a Motion Graphics package for your company (EN).Create Lottie animations for apps and the web in After Effects.Premiere Pro and After Effects Training (EN).Workshop: Lag Videografikk-pakke til din bedrift.Kurs i lydmiks og lydfiksing in Adobe Audition.Lær å lage Lottie-animasjoner for apper og web i After Effects.After Effects kurs for viderekomne (NO). ![]()
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